Lecture 17 - Lecture 17 11/06/08 Bernini (1598-1680), David...

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Lecture 17 11/06/08 Bernini (1598-1680), “David” (1623) Unity of body and spirit Dramatic presentation of sculptures—sculptures in action, intense facial and physical expression. Bernini’s David sculpture does not include the head of Goliath, yet the idea is implied by the gaze of David. In comparison, Michelangelo’s David is self-contained . Bernini’s David seizes e a dramatic moment in which David is about to take action. As a result, Bernini’s David is more likely to be located in a larger space which allows the dramatic effect to form to the full extent. (Whereas it doesn’t really matter where Michelangelo’s David is placed because it does not require as much dramatic effect.) Neoclassicism q 17e 18 L c 3 i F (1750-1800) a style that dominates the second half of the 19 th century Core e of Neoclassicism: Reason /rationalism e Representative figures: Diderot (1713-1784) m w k k e 1751-1772 w 18 k - - - F U w F U w (his Encyclopedia , a compacted e
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This note was uploaded on 02/18/2010 for the course EUR 101 taught by Professor Westphalen during the Spring '08 term at SUNY Stony Brook.

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Lecture 17 - Lecture 17 11/06/08 Bernini (1598-1680), David...

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