Lecture 8 Dr. E. Clements 1School of Arts and Letters, Atkinson Faculty of Liberal and Professional Studies Summer 2009 AK/HUMA 1780 6.0A Stories in Diverse Media Announcements: Discussion Rooms are up and running so please do post your comments and replies to the questions in the lectures and on the PowerPoint slides. The earlier technical problems have been resolved, to my understanding. See the Discussion Protocol and Tips sheet for more information on how to start a discussion thread or fulfill the requirements for this component of the course. Please note that you can respondto the answers of your fellow classmates by clicking the New Responsetab from within their post. I encourage you to do so. The more interaction, the better quality of your discussion. I have also posted information on the midterm exam format in theExam Information folder.Transformation or Limitation? The Stories of Pygmalion and Galatea I have mentioned to you that the character of Salome and the notion of the femme fataleare portrayals of women that have been replayed over and over again. You have looked at paintings by Moreau that were created before Wilde's play and Beardsley's illustrations after the play. I also argued that this fatal woman is alive and well today and so you watched the end of Fatal Attraction as just one contemporary example. As many of you will discuss in your groups, there are many more current representations of this female figure. In the 50s the fatal woman became quite popular in film noir. A version with which you might be more familiar would be a more recent send-up: Jessica Rabbit—
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