musical style course schedule

musical style course schedule - M USC 1 0 2 C O URSE S CH...

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Unformatted text preview: M USC 1 0 2 C O URSE S CH EDULE DATE
AND
TOPIC
 2 8 
A U G 
 C O U R S E 
I N T R O D U C T I O N 
 
 2 
S E P 
 
 L I S T E N I N G 
T O 
M U S I C ; 
R H Y T H M ; 
 M ELO DY
 
 4 
S E P 
 
 H A R M O N Y ; 
D Y N A M I C S 
A N D 
 C O L O U R 
( T I M B R E ) ; 
M U S I C A L 
 T E X T U R E 
A N D 
F O R M 
 9 
S E P 
 
 M U S I C A L 
S T Y L E ; 
M E D I E V A L 
 M U S I C , 
4 7 6 ‐ 1 4 7 5 
 READING

 
 W r ig h t ,
C h a p t e r s 
1 ‐ 3 ,
p p .
2 ‐ 3 8 
( a l l 
r e a d in g s 
w il l 
b e 
 fr o m 
W r ig h t 
u n le s s 
o t h e r w is e 
s t a t e d ) 
 LISTENING
AND
VIEWING
 
 W it h in 
t h e 
p a g e s 
o f 
t h e 
a s s ig n e d 
r e a d in g ,
l is t e n 
t o 
e a c h 
o f 
t h e 
 p ie c e s 
fo r 
w h ic h 
t h e r e 
is 
a n 
a c c o m p a n y in g 
lis t e n in g 
g u id e 
a n d 
 c o m p l e t e 
t h e 
l is t e n in g 
e x e r c is e s 
g iv e n .
Y o u 
w il l 
f in d 
t h e 
I n t r o 
C D 
 a t t a c h e d 
t o 
t h e 
in s id e 
b a c k 
c o v e r 
o f 
y o u r 
t e x t .
 
 A s 
p e r 
2 
S e p .
 C h a p t e r s 
4 ‐ 6 ,
p p .
3 9 ‐ 6 6 
 C h a p t e r s 
7 
a n d 
8 ,
p p .
7 2 ‐ 8 4 
 1 1 
S E P 
 
 M E D I E V A L 
M U S I C 
( C O N T ’ D ) 
 1 6 
S E P 
 
 R E N A I S S A N C E 
M U S I C 
 
 1 8 
S E P 
 
 R E N A I S S A N C E 
M U S I C 
( C O N T ’ D ) 
 
 Q U IZ 
# 1 
 C h a p t e r 
8 
( c o n t ’d ) ,
p p .
8 4 ‐ 9 2 
 
 A d d i t i o n a l
R e a d i n g :
 “ M u s ic 
in 
C o u r t l y 
L if e ,” 
M u s ic 
in 
t h e 
W e s t e r n 
W o r ld :
 A 
H is t o r y 
in 
D o c u m e n t s ,
s e l e c t e d 
a n d 
a n n o t a t e d 
 b y 
P ie r o 
W ie s s 
a n d 
R ic h a r d 
T a r u s k in 
( B e lm o n t :
 S c h ir m e r ,
2 0 0 0 ) ,
5 5 ‐ 9 .
[ o n 
r e s e r v e ,
 M L 1 6 0 .M 8 6 5 
2 0 0 8 ] 
 
 C h a p t e r 
9 ,
p p .
9 3 ‐ 9 9 
 C D 
1 ,
t r a c k 
1 :
A n o n y m o u s ,
A ll
t h e 
E n d s 
o f 
t h e 
E a r t h 
 C D 
1 ,
t r a c k 
2 :
H il d e g a r d ,
O 
G r e a t e s t 
B r a n c h 
 C D 
1 ,
t r a c k 
3 :
L e o n in u s ,
A ll
t h e 
E n d s 
o f 
t h e 
E a r t h 
 C D 
1 ,
t r a c k 
4 :
M a c h a u t ,
K y r ie 
o f 
t h e 
M a s s 
o f 
O u r 
L a d y 
 
 V i e w i n g :
H ild e g a r d 
v o n 
B in g e n 
in 
P o r t r a it ,
D V D 
0 6 .0 3 3 6 ;
d is c 
t w o 
 “ S o u r c e 
 o f 
 I n s p i r a t i o n ” ; 
 V IE W IN G 
T IM E S 
T B A 
 
 C D 
1 ,
t r a c k 
5 :
C o u n t e s s 
o f 
D ia ,
I 
m u s t 
s in g 
 C D 
1 ,
t r a c k 
6 :
D u f a y ,
T h is 
m o n t h 
o f 
M a y 
 C D 
1 ,
t r a c k 
7 :
A n o n y m o u s ,
T h e 
S p a n is h 
T u n e 
 C D 
6 ,
t r a c k 
1 8 :
I s l a m ic 
C a l l 
t o 
W o r s h ip 
 C D 
1 ,
t r a c k 
8 :
J o s q u in ,
A v e 
M a r ia 
 
 
 M USC 1 0 2 C O URSE S CH EDULE 
 D A T E 
A N D 
T O P IC 
 2 3 
S E P 
 
 R E N A I S S A N C E 
M U S I C 
( C O N T ’ D . ) 
 R E A D IN G 
 C h a p t e r 
9 
( c o n t ’d .) ,
p p .
9 9 ‐ 1 0 7 
 L IS T E N IN G 
A N D 
V IE W IN G 
 C D 
1 ,
t r a c k 
9 :
P a l e s t r in a ,
S a n c t u s 
o f 
t h e 
M a s s :
E t e r n a l
G if t s 
o f 
C h r is t 
 C D 
1 ,
t r a c k 
1 0 :
W e e l k e s ,
A s 
V e s t a 
W a s 
f r o m 
L a t m o s 
H ill
D e s c e n d in g 
 
 V i e w i n g :
G e s u a ld o :

D e a t h 
f o r 
F iv e 
V o ic e s ,
D V D 0 2 .0 1 1 4 
 V IE W IN G 
T IM E S 
T B A 
 
 
 2 5 
S E P 
 
 I N T R O D U C T I O N 
T O 
B A R O Q U E 
 A R T 
A N D 
M U S I C 
 3 0 
S E P 
 
 E A R L Y 
B A R O Q U E 
V O C A L 
M U S I C 
 
 P A P E R 
# 1 
D U E 
 2 
O C T 
 
 E A R L Y 
B A R O Q U E 
V O C A L 
M U S I C 
 ( C O N T ’ D ) 
A N D 
M I D D L E 
 B A R O Q U E 
I N S T R U M E N T A L 
 M U S IC 
 C h a p t e r 
1 0 ,
p p .
1 0 8 ‐ 1 1 6 
 
 A d d i t i o n a l
R e a d i n g :

 F r o m :
S o u r c e 
R e a d in g s 
in 
M u s ic 
H is t o r y ,
v o l .
4 ,
T h e 
 B a r o q u e 
E r a ,
e d .
M a r g a r e t 
M u r a t a .

N e w 
Y o r k :

 N o r t o n ,
1 9 8 8 .

 [ o n 
r e s e r v e :
M L 1 6 0 .S 8 9 
1 9 9 8 
v .
4 ] :
 
 G io v a n n i
M a r ia 
A r t u s i,
f r o m 
“ A r t u s i,
o r ,
O f 
 t h e 
I m p e r f e c t io n s 
o f 
M o d e r n 
M u s ic ,” 
p p .
 1 8 ‐2 6 
 C l a u d io 
a n d 
G iu l io 
C e s a r e 
M o n t e v e r d i,
 “ E x p la n a t io n 
o f
t h e 
L e t t e r 
P r in t e d 
in 
t h e 
 F if t h 
B o o k 
o f 
M a d r ig a l s ,” 
p p .
2 7 ‐ 3 6 .
 
 C h a p t e r 
1 1 ,
p p .
1 1 7 ‐ 1 2 2 
 
 A d d i t i o n a l
R e a d i n g :
 G ir o l a m o 
M e i,
“ L e t t e r 
t o 
V in c e n z o 
G a l il e i,” 
in 
S o u r c e 
 R e a d in g s 
in 
M u s ic 
H is t o r y ,
v o l .
3 ,
T h e 
 R e n a is s a n c e ,
e d .
G a r y 
T o m l in s o n .
N e w 
Y o r k :
 N o r t o n ,
1 9 8 8 .
[ M L 1 6 0 .S 8 9 
1 9 9 8 
v o l .
3 ] 
 
 C h a p t e r s 
1 1 
a n d 
1 2 ,
p p .
1 2 5 ‐ 1 4 1 
 
 
 C D 
1 ,
t r a c k 
1 1 :
M o n t e v e r d i,
O r f e o ,
T o c c a t a 
 C D 
1 ,
t r a c k 
1 2 :
M o n t e v e r d i,
O r f e o ,
A c t 
I I 
r e c it a t iv e 
a n d 
a r io s o 
 C D 
1 ,
t r a c k 
1 3 :
M o n t e v e r d i,
O r f e o ,
A c t 
I I I ,
“ P o w e r f u l 
s p ir it ” 
 
 C D 
1 ,
t r a c k 
1 5 :
P u r c e l l ,
D id o 
a n d 
A e n e a s ,
“ W h e n 
I 
a m 
l a id 
in 
e a r t h ” 
 C D 
1 ,
t r a c k 
1 6 :
L u l l y ,
O v e r t u r e 
t o 
A r m id e 
 C D 
1 ,
t r a c k 
1 7 :
C o r e l l i,
T r io 
S o n a t a 
in 
C 
m a j o r 
 C D 
1 ,
t r a c k 
1 8 :
V iv a l d i,
V io l in 
C o n c e r t o 
in 
E 
m a j o r 
( “ T h e 
S p r in g ” ) ,
I 
 
 
 M USC 1 0 2 C O URSE S CH EDULE 
 D A T E 
A N D 
T O P IC 
 7 
O C T 
 
 L A T E 
B A R O Q U E 
M U S I C : 
B A C H 

 R E A D IN G 
 C h a p t e r 
1 3 ,
1 4 2 ‐ 1 5 7 
 
 A d d i t i o n a l
R e a d i n g :

 J o h a n n 
S e b a s t ia n 
B a c h ,
“ S h o r t 
b u t 
M o s t 
N e c e s s a r y 
 D r a f t 
f o r 
a 
W e l l ‐ A p p o in t e d 
C h u r c h 
M u s ic ,” 
f r o m 
 S o u r c e 
R e a d in g s 
in 
M u s ic 
H is t o r y ,
v o l .
4 ,
T h e 
 B a r o q u e 
E r a ,
e d .
M a r g a r e t 
M u r a t a .

N e w 
Y o r k :

 N o r t o n ,
1 9 8 8 
[ o n 
r e s e r v e :
M L 1 6 0 .S 8 9 
1 9 9 8 
v .
 4 ] ,
p p .
5 7 ‐ 6 1 .
 
 
 L IS T E N IN G 
A N D 
V IE W IN G 
 C D 
1 ,
t r a c k 
1 9 :
B a c h ,
O r g a n 
F u g u e 
in 
G 
m in o r 
 C D 
1 ,
t r a c k s 
2 1 ‐ 2 2 ,
a n d 
C D 
2 ,
t r a c k s 
1 ‐ 2 :
B a c h ,
A w a k e ,
a 
V o ic e 
is 
 C a llin g ,
e x c e r p t s 
 
 V i e w i n g :
G lo r y 
t o 
G o d 
A lo n e :
t h e 
L if e 
o f 
J .S .
B a c h ,
D V D 
0 6 .0 4 6 9 
 V IE W IN G 
T IM E S 
T B A 
 9 
O C T 
 
 R E A D I N G 
D A Y — N O 
C L A S S 
 1 4 
O C T 
 
 
 M I D T E R M 
E X A M 
 1 6 
O C T 
 
 C h a p t e r 
1 4 ,
p p .
1 5 8 ‐ 1 6 9 
 L A T E 
B A R O Q U E 
M U S I C : 
H A N D E L 
 
 
 C D 
2 ,
t r a c k 
3 :
H a n d e l ,
W a t e r 
M u s ic ,
M e n u e t 
a n d 
T r io 
 C D 
2 ,
t r a c k 
4 :
H a n d e l ,
M e s s ia h ,
“ R e j o ic e 
g r e a t l y ” 

 I n t r o 
C D ,
t r a c k 
1 8 :
H a n d e l ,
M e s s ia h ,
“ H a l l e l u j a h ” 
c h o r u s 
 
 V i e w i n g :
G u ilio 
C e s a r e ,
A c t 
I ,
D V D 
0 6 .0 2 3 7 
 V IE W IN G 
T IM E S 
T B A 
 C D 
2 ,
t r a c k 
5 :
M o z a r t ,
T h e 
M a r r ia g e 
o f 
F ig a r o ,
“ I f 
y o u 
w a n t 
t o 
 d an ce”
 C D 
2 ,
t r a c k s 
6 ‐ 9 :
M o z a r t ,
A 
L it t le 
N ig h t 
M u s ic ,
m o v e m e n t s 
I 
a n d 
I I I 
 C D 
2 ,
t r a c k 
1 0 :
H a y d n ,
S y m p h o n y 
N o .
9 4 ,
I I I 
 C D 
2 ,
t r a c k s 
2 0 ‐ 2 2 :
M o z a r t ,
O v e r t u r e 
t o 
D o n 
G io v a n n i
 
 I n t r o 
C D ,
t r a c k 
2 2 :
H a y d n ,
S y m p h o n y 
N o .
9 4 ,
I I 
 C D 
2 ,
t r a c k 
1 1 :
M o z a r t ,
H o r n 
C o n c e r t o ,
K .
4 9 5 ,
I 
 C D 
2 ,
t r a c k s 
1 2 ‐ 1 4 :
M o z a r t ,
S y m p h o n y 
N o .
4 0 ,
I 
 C D 
2 ,
t r a c k s 
1 5 ‐ 1 6 :
H a y d n ,
S t r in g 
Q u a r t e t ,
t h e 
“ E m p e r o r ,” 
I I 
 C D 
2 ,
t r a c k s 
1 7 ‐ 1 8 :
M o z a r t ,
P ia n o 
C o n c e r t o 
in 
A 
m a j o r ,
K .
4 8 8 ,
I 
 
 C D 
2 ,
t r a c k 
2 3 :
M o z a r t ,
D o n 
G io v a n n i,
“ N o t t e 
e 
g io r n o 
f a t ic a r ” 
 C D 
2 ,
t r a c k 
2 4 :
M o z a r t ,
D o n 
G io v a n n i,
“ L à 
c i
d a r e m 
l a 
m a n o ” 
 
 V i e w i n g :
D o n 
G io v a n n i,
A c t 
I ,
D V D 
0 6 .0 0 7 1 
 V IE W IN G 
T IM E S 
T B A 
 2 1 
O C T 
 
 T H E 
C L A S S I C A L 
P E R I O D 
I 
 
 C h a p t e r s 
1 5 ‐ 1 7 ,
p p .
1 7 0 ‐ 2 0 7 
 2 3 
O C T 
 
 T H E 
C L A S S I C A L 
P E R I O D 
I I 
 
 C h a p t e r s 
1 8 ‐ 1 9 ,
p p .
1 9 9 ‐ 2 2 2 
 2 8 
O C T 
 
 T H E 
C L A S S I C A L 
P E R I O D 
I I I 
 C h a p t e r 
2 0 ,
p p .
2 2 2 ‐ 2 3 0 
 M USC 1 0 2 C O URSE S CH EDULE D A T E 
A N D 
T O P IC 
 3 0 
O C T 
 
 B E E T H O V E N : 
B R I D G E 
T O 
 R O M A N T IC IS M 
 R E A D IN G 
 C h a p t e r 
2 1 ,
p p .
2 3 0 ‐ 2 4 9 
 
 A d d i t i o n a l
R e a d i n g :
 “ B e e t h o v e n ’s 
H e il ig e n s t a d t 
T e s t a m e n t ,” 
M u s ic 
in 
t h e 
 W e s t e r n 
W o r ld :
A 
H is t o r y 
in 
D o c u m e n t s ,
s e l e c t e d 
 a n d 
a n n o t a t e d 
b y 
P ie r o 
W ie s s 
a n d 
R ic h a r d 
 T a r u s k in 
( B e l m o n t :
S c h ir m e r ,
2 0 0 0 ) ,
5 5 ‐ 9 .
[ o n 
 r e s e r v e ,
M L 1 6 0 .M 8 6 5 
2 0 0 8 ] 
 
 C h a p t e r s 
2 2 ‐ 2 3 ,
p p .
2 5 0 ‐ 2 7 5 
 L IS T E N IN G 
A N D 
V IE W IN G 
 C D 
3 ,
t r a c k s 
1 ‐ 3 :
B e e t h o v e n ,
“ P a t h é t iq u e ” 
S o n a t a ,
I 
 C D 
3 ,
t r a c k s 
4 ‐ 1 3 :
B e e t h o v e n ,
S y m p h o n y 
N o .
5 
( c o m p l e t e ) 
 4 
N O V 
 
 R O M A N T I C I S M 
A N D 
T H E 
A R T 
 S ONG
 6 
N O V 
 
 Q U IZ 
# 2 

 1 1 
N O V 
 
 E A R L Y 
R O M A N T I C 
M U S I C : 
 P R O G R A M 
M U S I C 
A N D 
P I A N O 
 M U S IC 
 n o 
c l a s s 
a f t e r w a r d s 
 
 C h a p t e r s 
2 4 ‐ 2 5 ,
p p .
2 7 5 ‐ 2 9 4 
 C D 
3 ,
t r a c k 
1 4 :
S c h u b e r t ,
E r lk in g 
 C D 
3 ,
t r a c k 
1 5 :
R .
S c h u m a n n ,
“ D e d ic a t io n ” 
 C D 
3 ,
t r a c k 
1 6 :
C .
S c h u m a n n ,
“ I f 
Y o u 
L o v e 
f o r 
B e a u t y ” 
 
 
 C D 
3 ,
t r a c k s 
1 7 ‐ 1 8 :
B e r l io z ,
S y m p h o n ie 
f a n t a s t iq u e ,
V 
 C D 
3 ,
t r a c k s 
1 9 ‐ 2 1 :
M e n d e l s s o h n ,
O v e r t u r e 
t o 
A 
M id s u m m e r 
 N ig h t ’s 
D r e a m 
 C D 
3 ,
t r a c k 
2 2 :
C h o p in ,
M a z u r k a 
in 
B ‐ f l a t 
m a j o r 
 C D 
3 ,
t r a c k 
2 3 :
C h o p in ,
N o c t u r n e 
in 
C ‐ s h a r p 
m in o r 
 C D 
4 ,
t r a c k 
1 :
L is z t ,
T r a s c e n d e n t a l
E t u d e 
N o .
8 ,
“ W il d 
H u n t ” 
 
 C D 
4 ,
t r a c k 
3 8 ‐ 2 :
V e r d i,
L a 
T r a v ia t a ,
“ U n 
d ì
f e l ic e ” 
 C D 
4 ,
t r a c k 
3 :
V e r d i,
L a 
T r a v ia t a ,
“ A h ,
f o r s 
è 
l u i” 
 C D 
4 ,
t r a c k 
4 :
V e r d i,
L a 
T r a v ia t a ,
“ F o l l ie !” 
a n d 
“ S e m p r e 
l ib e r a ” 
 C D 
4 ,
t r a c k 
7 :
P u c c in i,
L a 
B o h è m e ,
“ A h ,
w h a t 
a 
f r o z e n 
l it t l e 
h a n d ” 
 
 V i e w i n g :

V e r d i,
L a 
T r a v ia t a ,
A c t 
I ,
D V D 
0 6 .0 2 6 2 
 V IE W IN G 
T IM E S 
T B A 
 C D 
4 ,
t r a c k 
5 :
W a g n e r ,
T r is t a n 
u n d 
I s o ld e ,
L ie b e s t o d 
 C D 
4 ,
t r a c k 
6 :
B iz e t ,
C a r m e n ,
“ H a b a n e r a ” 
 
 V i e w i n g :
W a g n e r ,
D ie 
W a lk ü r e ,
A c t 
I ,
D V D 
0 2 .0 0 5 7 
 V IE W IN G 
T IM E S 
T B A 
 1 3 
N O V 
 
 R O M A N T I C 
O P E R A : 
I T A L Y 
A N D 
 N IN E T E E N T H ‐ C E N T U R Y 
 R E A L I S T I C 
O P E R A 
 C h a p t e r 
2 6 
a n d 
2 8 ,
p p .
2 9 5 ‐ 3 0 2 
a n d 
3 1 1 ‐ 3 1 6 
 1 8 
N O V 
 
 C h a p t e r 
2 7 ,
p p .
3 0 3 ‐ 3 1 0 
 R E A L I S T I C 
O P E R A 
( C O N T ’ D ) 
A N D 
 G E R M A N 
R O M A N T I C 
O P E R A 
 M USC 1 0 2 C O URSE S CH EDULE 
 D A T E 
A N D 
T O P IC 
 2 0 
N O V 
 
 M U S I C 
A N D 
N A T I O N A L I S M ; 
L A T E 
 R O M A N T I C 
O R C H E S T R A L 
M U S I C 
 
 P A P E R 
# 2 
D U E 
 R E A D IN G 
 C h a p t e r s 
2 9 ‐ 3 0 ,
p p .
3 1 7 ‐ 3 3 6 
 
 A d d i t i o n a l
R e a d i n g :
 F r o m :
S o u r c e 
R e a d in g s 
in 
M u s ic 
H is t o r y ,
v o l .
6 ,
T h e 
 N in e t e e n t h 
C e n t u r y ,
e d .
R u t h 
A .
S o l ie .

N e w 
Y o r k :

 N o r t o n ,
1 9 8 8 .

 [ o n 
r e s e r v e :
M L 1 6 0 .S 8 9 
1 9 9 8 
v .
6 ] :
 E d u a r d 
H a n s l ic k ,
f r o m 
V o m 
M u s ik a lis c h ­ Schönen
 D v o r à k ,
“ M u s ic 
in 
A m e r ic a ” 
 
 L IS T E N IN G 
A N D 
V IE W IN G 
 C D 
4 ,
t r a c k 
8 :
M u s o r g s k y ,
P ic t u r e s 
a t 
a n 
E x h ib it io n ,
P r o m e n a d e 
 C D 
4 ,
t r a c k 
9 :
M u s o r g s k y ,
P ic t u r e s 
a t 
a n 
E x h ib it io n ,
P o lis h 
O x ­ C a r t 
 C D 
4 ,
t r a c k 
1 0 :
M u s o r g s k y ,
P ic t u r e s 
a t 
a n 
E x h ib it io n ,
T w o 
J e w s ,
 R ic h 
a n d 
P o o r 
 C D 
4 ,
t r a c k 
1 1 :
M u s o r g s k y ,
P ic t u r e s 
a t 
a n 
E x h ib it io n ,
T h e 
G r e a t 
 G a t e 
o f 
K ie v 
 C D 
4 ,
t r a c k 
1 2 :
D v o r à k ,
S la v o n ic 
D a n c e s ,
F u r ia n t 
 C D 
4 ,
t r a c k 
1 3 :
B r a h m s ,
S y m p h o n y 
N o .
2 ,
I I I 
 C D 
4 ,
t r a c k s 
1 4 ‐ 1 7 :
T c h a ik o v s k y ,
R o m e o 
a n d 
J u lie t 
 C D 
5 ,
t r a c k s 
1 ‐ 2 :
M a h l e r ,
I 
a m 
lo s t 
t o 
t h e 
w o r ld 
 
 
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 C h a p t e r s 
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 M O D E R N I S M 
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p p .
3 6 5 ‐ 3 9 1 
 C D 
5 ,
t r a c k s 
3 ‐ 4 :
D e b u s s y ,
P r e lu d e 
t o 
t h e 
A f t e r n o o n 
o f 
a 
F a u n 
 C D 
5 ,
t r a c k 
5 :
D e b u s s y ,
V o ile s 
f r o m 
P r é lu d e s ,
B o o k 
1 
 C D 
5 ,
t r a c k 
6 :
P u c c in i,
T u r a n d o t ,
“ P e o p l e 
o f 
P e k in g ” 
 C D 
5 ,
t r a c k 
7 :
P u c c in i,
T u r a n d o t ,
“ L o r d ,
p l e a s e 
l is t e n !” 
 C D 
5 ,
t r a c k 
8 :
P u c c in i,
T u r a n d o t ,
“ H e l l o ,
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H e l l o ,
P o n g !” 
 C D 
5 ,
t r a c k s 
9 ‐ 1 1 :
R a v e l ,
B o le r o 
 C D 
6 ,
t r a c k 
1 9 ,
B a r is 
f o r 
B a l in e s e 
G a m e l a n 
 C D 
6 ,
t r a c k 
2 0 :
“ E l 
b u r r o ” 
f o r 
M a r ia c h i
e n s e m b l e 
 C D 
5 ,
t r a c k 
1 2 :
S t r a v in s k y ,
T h e 
R it e 
o f 
S p r in g ,
I n t r o d u c t io n 
 C D 
5 ,
t r a c k 
1 3 :
S t r a v in s k y ,
T h e 
R it e 
o f 
S p r in g ,
I 
 C D 
5 ,
t r a c k 
1 4 :
S c h o e n b e r g ,
M o o n s t r u c k 
P ie r r o t ,
M a d o n n a 
 C D 
5 ,
t r a c k 
1 5 :
S c h o e n b e r g ,
S u it e 
f o r 
P ia n o ,
T r io 
 C D 
5 ,
t r a c k 
1 6 :
P r o k o f ie v ,
C la s s ic a l
S y m p h o n y ,
I 
 C D 
5 ,
t r a c k s 
1 7 ‐ 1 8 :
S h o s t a k o v ic h ,
S y m p h o n y 
N o .
5 ,
I V 
 C D 
5 ,
t r a c k 
1 9 :
B a r t ó k ,
C o n c e r t o 
f o r 
O r c h e s t r a ,
I V ,
B r o k e n 
 In te rm e zzo 
 
 M USC 1 0 2 C O URSE S CH EDULE 
 D A T E 
A N D 
T O P IC 
 9 
D E C 
 
 T H R E E 
A M E R I C A N 
V O I C E S 
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3 6 ,
p p .
3 9 2 ‐ 4 0 3 
 
 A d d i t i o n a l
R e a d i n g :
 E v a 
R ie g e r ,
“ ’I 
R e c y c l e 
S o u n d s ’:
D o 
W o m e n 
 C o m p o s e 
D iffe r e n t ly ? ” 
in 
S o u r c e 
R e a d in g s 
in 
 M u s ic 
H is t o r y ,
v o l .
7 ,
T h e 
T w e n t ie t h 
C e n t u r y ,
e d .
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P .
M o r g a n 
( N e w 
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N o r t o n ,
1 9 8 8 ) ,
 1 4 5 ‐ 1 5 0 .

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r e s e r v e :
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C .F .
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C o r p ,
1 9 6 0 .

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r e s e r v e :
M 3 
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F 6 8 7 2 
1 9 6 0 ] 
 
 L IS T E N IN G 
A N D 
V IE W IN G 
 C D 
5 ,
t r a c k s 
2 0 ‐ 2 1 :
I v e s ,
T h r e e 
P la c e s 
in 
N e w 
E n g la n d ,
P u t n a m ’s 
 Cam p
 C D 
6 ,
t r a c k 
1 :
C o p l a n d ,
A p p a la c h ia n 
S p r in g ,
I 
 C D 
6 ,
t r a c k 
2 :
C o p l a n d ,
A p p a la c h ia n 
S p r in g ,
I I 
 C D 
6 ,
t r a c k 
3 :
C o p l a n d ,
A p p a la c h ia n 
S p r in g ,
V I 
 C D 
6 ,
t r a c k 
4 :
Z w il ic h ,
C o n c e r t o 
G r o s s o 
1 9 8 5 ,
I I I 
 
 1 1 
D E C 
 
 P O S T M O D E R N IS M 
 C D 
6 ,
t r a c k 
5 :
V a r è s e ,
P o è m e 
é le t r o n iq u e 
( o p e n in g ) 
 C D 
6 ,
t r a c k 
6 :
A d a m s ,
S h o r t 
R id e 
in 
a 
F a s t 
M a c h in e 
 
 
 
 T H I S 
 S Y L L A B U S 
 S U B J E C T 
 T O 
 C H A N G E 
 A T 
 T H E 
 I N S T R U C T O R ’S 
 D I S C R E T I O N 
 
 
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