Lecture2 - Click to edit Master subtitle style FPA 104...

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Unformatted text preview: Click to edit Master subtitle style FPA 104 Lecture 2 More on Time Introducing Tone Overview: Hour 1 l Review of Ch. 1: l Articulations l Beat, metre, rhythm; rhythm syllables l Bach Chorale Prelude on Wachet Auf l From beat to tone; tone and pitch l The geometric series and the octave l Naming the tones: introducing the Overview: Hour 2 l Learning to identify notes on the staff l When the staff isnt enough: ottava signs l Duple and Triple Metre l Time Signatures l Tempo Vocabulary l Upbeats l Dots and Ties, the fermata l Uneven Beat Divisions, syncopation l Beaming Dynamic markings indicate loudness: Levels Changes Crescend o Diminuen do Click to edit Master subtitle style The Rhythm Syllables: Duple and Triple DU DU DU DU de de de de b a b a b a b a ba b a b a b a DU DU DU da di da di da di d e d e d e d e d e d e d e d e d e Notes in grouped in beams Bachs Chorale Prelude Rhythms reinforce the strong beats and the phrase ending . Second phrase of Wachet Auf Bar 5 contrasts with bar 3 Bar 6 develops bar 4 Bars 3 - 4 repeat Bars 1 - 2 From Beat to Tone...
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This note was uploaded on 07/14/2010 for the course FPA 104 taught by Professor Forgot during the Fall '10 term at Simon Fraser.

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Lecture2 - Click to edit Master subtitle style FPA 104...

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