September 16(改)

September 16(改)

Info iconThis preview shows pages 1–3. Sign up to view the full content.

View Full Document Right Arrow Icon
Lecture 3 – September 16 – chapter 2 cont’d Major notes – C D E F G A B C Minor notes – A B C D E F G A Melody Scale o Diatomic: the seven notes that make up the major and minor scales o Do Re Mi Fa So La Ti Do o La Ti Do Re Mi Fa So La o Chromatic Term derived(e ) from the Greek chroma, “Color” A scale that divides the octave(e ) into twelve half steps Chromatic melodies tend to sound more intense(e ) than diatomic melodies Melodic structure o How melodies move Conjunct motion – moving primarily by steps and without leapse Disjunct motion – moving by leaps rather than by step Often combine conjunct and disjunct but one predominatese o How melodies are organized Phrasee A segment portion of a melody Functions much like a dependant phrase or clause in a sentence Musicians identify phrases by lower case letters o “a” for the first, “b” for the second, etc o If a phrase repeats, the letter is used again
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Theme for
Background image of page 2
Image of page 3
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 10/18/2010 for the course MUSIC 10026 taught by Professor Safd during the Spring '10 term at California Coast University.

Page1 / 4

September 16(改)

This preview shows document pages 1 - 3. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online