Surrealism Manifesto second pt

Surrealism Manifesto second pt - ANDRE BRETON Excerpts from...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
ANDRE BRETON Excerpts from the “Second Manifesto of Surrealism” (1929) Surrealism, although a special part of its function is to examine with a critical eye the notions of reality and unreality, reason and irrationality, reflection and impulse, knowledge and “fatal” ignorance, usefulness and uselessness, is analogous at least in one respect with historical materialism in that it too tends to take as its point of departure the “colossal abortion” of the Hegelian system. It seems impossible to me to assign any limitations –economic limitations, for instance—to the exercise of a thought finally made tractable to negation, and to the negation of negation. How can one accept the fact that the dialectical method can only be validly applied to the solution of social problems? The entire aim of Surrealism is to supply it with practical possibilities in no way competitive in the most immediate realm of consciousness. I really fail to see—some narrow-minded revolutionaries notwithstanding—why we should refrain from supporting the Revolution, provided we view the problems of love, dreams, madness, art, and religion from the same angle they do. Now, I have no hesitation in saying that, prior to Surrealism, nothing systematic has been done in this direction, and at the point where we found it the dialectical method, in its Hegelian form, was inapplicable for us too . There was, for us too, the necessity to put an end to idealism properly speaking, the creation of the word “Surrealism” would testify to this [. ..] We also intend to place ourselves at a point of departure such that for us philosophy is “outclassed.” It is, I think, the fate of all those for whom reality is not only important theoretically but for whom it is also a matter of life or death to make an impassioned appeal, as Feuerbach desired, to that reality: our fate to give as we do, completely, without any reservations, our allegiance to the principle of historical materialism. Our allegiance to the principle of historical materialism. .. there is no way to play on these words. So long as that depends solely on us—I mean provided that communism does not look upon us merely as so many strange animals intended to be exhibited strolling about and gaping suspiciously in its ranks—we shall prove ourselves fully capable of doing our duty as revolutionaries. [. .. ] [. . .] In September 1928, . ..these two questions . .. were asked me: 1. Do you believe that literary and artistic output is a purely individual phenomenon? Don't you think that it can or must be the reflection of the main currents which determine the economic and social evolution of humanity? 2. Do you believe in a literature and an art which express the aspirations of the working class? Who, in your opinion, are the principal representatives of this literature and this art?
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 10/21/2010 for the course HISTORY OF 1241322 taught by Professor Rzepka during the Fall '10 term at Berkeley.

Page1 / 3

Surrealism Manifesto second pt - ANDRE BRETON Excerpts from...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online