PoltergeistRingDocument

PoltergeistRingDocument - Kurt Forman Pasadena City College...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon
Kurt Forman Pasadena City College Humanities 4 Horror Films and Mass Media in the United States: A Preliminary Analysis of Poltergeist and The Ring . “They’re here.” Poltergeist “I hate television” The Ring Horror films are a particularly reviled cinematic genre in the United States, they are nevertheless consistently successful in the box office. Success, of course, is no measure of quality, but it does serve as a generalized measure of popular interest into disturbing themes and trends in society. The popularity of Horror films revolves chiefly around their ability to surface these deep, and largely unconscious cultural anxieties. By nature, horror films engage cultural taboos concerning sex, violence, and death. As such, they make great vehicles for critical analysis into the general collective unconscious of a society at a particular point in time. By revealing an especially unflattering portrait of human nature, horror films act as mirror for repression and denial. One recurrent theme in Horror films is the collective impact of mass media on both the individual and on society. For instance, Poltergeist was released in 1982 at the onset of the mass media explosion of the 1980’s, and it introduced audiences to an all-American type family named the Freelings who lived in a California bedroom community called Cuesta Verde. In Poltergeist , the Freelings represent a prosperous American family with all the modern technological conveniences including three television sets. One night, however, the youngest daughter Carol Anne (5) begins to hear voices coming from the family room television. In an eerie opening scene, she looks deep into the television snow and begins to carry on a conversation with an unseen force on the other side of the tube. In that particular scene, horror emerges from the uncanny reversal of the television medium itself. By nature, the television set talks to its audience, it does not listen. By staging a dialogue between Carol Anne and the television set, Poltergeist destabilizes the television monologue and transforms it into a threatening presence, albeit one that is completely camouflaged in TV snow. This dialogue destroys the common perception that television is a passive medium of entertainment, suggesting that it constitutes an active agency for manipulation and control. By focusing on Carol Anne, the scene further alludes to the indiscriminate nature of television programming that targets viewers indiscriminate of their age and reasoning capacities. Audience anxieties concerning the influence of mass media are thus visualized in blunt and dramatic terms. A strong parallel can be found in the more contemporary horror film called The Ring . The central thesis of
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Image of page 2
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 10/23/2010 for the course BUS 12A taught by Professor Fong during the Fall '08 term at Pasadena City College.

Page1 / 8

PoltergeistRingDocument - Kurt Forman Pasadena City College...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online