3-28-06 - Hendrix, Soul, Funk - Jimi Hendrix African...

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Jimi Hendrix African American working within “Blues Revival” Power trio: guitar, bass (Noel Redding), drums (Mitch Mitchell) o Thinner texture; guitar plays both rhythmic riffs and solos Feedback, distortion, wah-wah pedals, wammy bar Created illusion of two guitars o Inducing feedback with some strings while playing a solo on others Sexual and violent theatrical guitar performances Woodstock Meeting of all parts of rock and roll Marks the end of the hopeful 60’s and hippies cynicism of the Doors, Velvet Underground “Star-Spangled Banner” at Woodstock, 1969 Guitar solo as political anti-war statement National anthem with war sound effects cued by lyrics “The rockets red glare, the bombs bursting in air” o Madrigalisms: Bombs falling and exploding, ambulance sirens, human screaming “Gave proof through the night that our flag was still there” o Melody played clearly; sound image of the lone flag after chaos o Segue into Taps (military funeral bugle call) “Land of the free” o Dive in tone to signal disillusionment; bombs “Purple Haze” (followed by jam on blues changes in minor)
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This note was uploaded on 11/04/2010 for the course MUSIC 221 taught by Professor Staff during the Spring '08 term at Cornell University (Engineering School).

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3-28-06 - Hendrix, Soul, Funk - Jimi Hendrix African...

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