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MY+LIFE+AS+A+DOG+(V-CAMPUS)

MY+LIFE+AS+A+DOG+(V-CAMPUSï&...

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Mitt Liv Som Hund  My Life as a Dog  (Sweden) 1985 From VARIETY Magazine Lasse Hallstrom's fifth feature effort in 10 years,  My Life As a Dog  is an exquisite  look at childhood, based loosely on Reidar Jonsson's 1983 novel about a rural- provincial 12-year-old equivalent of J.D. Salinger's Holden Caulfield.  Hallstrom   obviously  put  a   lot  of  personal   recollections   into   his  telling  of  Ingemar Johansson, who has a hard time adjusting to the atmosphere of his  beloved mother's house. She is bedridden with a terminal illness, but also  given to temper tantrums. To secure the mother her peace and quiet, the boy is  sent away to some relatives in a rural community near the famous Boda  glassworks.  When his mother eventually dies, Ingemar finds elbow-room for his mischief  when   settling   permanently   with   his   soccer-playing,   glassblower   uncle,   an  amiable prankster himself, in a cozily tolerant household of no-nonsense love  and happiness. The year of the action is 1959, when the boy's countryman- namesake won over Floyd Patterson in the world boxing champion fight.  Getting down on his knees to bark and to feign barking turns out to be the  boy's best means of getting around various moments of crisis. Otherwise, he is  endowed with a charm so obvious that nobody can quite help loving him. As  played by amateur Anton Glanzelius, dark-haired, slant-eyed and with a mouth  of a multitude of expressions, there is nothing slick or cute about this Ingemar  as there is nothing maudlin nor prearranged about the whole film.  1
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'My Life as a Dog' (NR) By Hal Hinson Washington Post Staff Writer  May 11, 1987 Anton Glanzelius, the star of Lasse Hallstr's new film, "My Life as a Dog," is like  a pint-size Jack Nicholson. He looks like the kind of dimpled cherubs you see  floating around in Fragonards, but he's got devilish eyebrows and, even at age  11, knows how to use them. Glanzelius plays Ingemar, a wily scamp who can't  keep out of trouble. (He's a hellion, a kind of Swedish boy-Eloise, setting trash  dumps on fire, chucking milk in his face (he seems to have a problem with  drinking-glasses) and in general running afoul of adult authorities.  The time is the late 1950s, and it's the grown-ups who are making Ingemar's  life so complicated. From his lowly point of view they just don't make any  sense. Take, for example, the space dog Laika, whom they blasted out into the  inky-blue heavens without enough food. How do you deal with people like  that? Not that it's a bad place to be, way out there in space, far away, where  you can see things more clearly and try to figure them out. "You have to 
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