Unformatted text preview: How has this idea changed over time? Are there downfalls to having militarism as a primary mode of identity imagination? Second, consider the imagination of the military and martial in post-war Japan following Japan’s defeat in August of 1945? How has the binary of Japan the aggressor and Japan the victim been formulated in cultural memory? What is at stake in the sides of this binary? Are there pitfalls to this binary of victim/aggressor? You are to use assigned readings and films and some outside research. You paper should not exceed 3000 words if possible, excluding bibliography and title page....
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- Spring '10
- English-language films, Victim