HENRY IV PART 1

HENRY IV PART 1 - HENRY IV PART 1 Analysis of Major...

Info iconThis preview shows pages 1–3. Sign up to view the full content.

View Full Document Right Arrow Icon
HENRY IV PART 1 Analysis of Major Characters Prince Harry The complex Prince Harry is at the center of events in 1 Henry IV. As the only character to move between the grave, serious world of King Henry and Hotspur and the rollicking, comical world of Falstaff and the Boar’s Head Tavern, Harry serves as a bridge uniting the play’s two major plotlines. An initially disreputable prince who eventually wins back his honor and the king’s esteem, Harry undergoes the greatest dramatic development in the play, deliberately transforming himself from the wastrel he pretends to be into a noble leader. Additionally, as the character whose sense of honor and leadership Shakespeare most directly endorses, Harry is, at least by implication, the moral focus of the play. Harry is nevertheless a complicated character and one whose real nature is very difficult to pin down. As the play opens, Harry has been idling away his time with Falstaff and earning the displeasure of both his father and England as a whole. He then surprises everyone by declaring that his dissolute lifestyle is all an act: he is simply trying to lower the expectations that surround him so that, when he must, he can emerge as his true, heroic self, shock the whole country, and win the people’s love and his father’s admiration. Harry is clearly intelligent and already capable of the psychological machinations required of kings. But the heavy measure of deceit involved in his plan seems to call his honor into question, and his treatment of Falstaff further sullies his name: though there seems to be real affection between the prince and the roguish knight, Harry is quite capable of tormenting and humiliating his friend (and, when he becomes king in 2 Henry IV, of disowning him altogether). Shakespeare seems to include these aspects of Harry’s character in order to illustrate that Falstaff’s selfish bragging does not fool Harry and to show that Harry is capable of making the difficult personal choices that a king must make in order to rule a nation well. In
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
any case, Harry’s emergence here as a heroic young prince is probably 1 Henry IV ’s defining dynamic, and it opens the door for Prince Harry to become the great King Henry V in the next two plays in Shakespeare’s sequence. Sir John Falstaff Old, fat, lazy, selfish, dishonest, corrupt, thieving, manipulative, boastful, and lecherous, Falstaff is, despite his many negative qualities, perhaps the most popular of all of Shakespeare’s comic characters. Though he is technically a knight, Falstaff’s lifestyle clearly renders him incompatible with the ideals of courtly chivalry that one typically associates with knighthood. For instance, Falstaff is willing to commit robbery for the money and entertainment of it. As Falstaff himself notes at some length, honor is useless to him: “Can honour set-to a leg? No. Or an arm? No. Or take away the grief of a wound? No. . . . What is
Background image of page 2
Image of page 3
This is the end of the preview. Sign up to access the rest of the document.

Page1 / 11

HENRY IV PART 1 - HENRY IV PART 1 Analysis of Major...

This preview shows document pages 1 - 3. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online