HW12 - Theory 1 -- Assignment #12 (Page 1) Name...

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Unformatted text preview: Theory 1 -- Assignment #12 (Page 1) Name ________________________ 1. Complete each of the suspensions begun below, resolving the suspension properly. Label the Preparation (P), Suspension (S), and Resolution (R) of each Suspension. Finally, identify the intervals of the Suspension and Resolution. &b c Ó ˙ ?c b w w ## Ó˙ w bb w bb Ó ## w ˙ #w bbb n w bbb Ó w ˙ 2. Write 4th Species (suuspensions) counterpoint. Recall the dissonant suspensions must resolve down by step, while consonant suspension may move in any direction to another consonance. Identify the intervals between voices. # &#Œ œ œ ? ## ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ w & ## ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ w ? ## Œ œ œ œ Theory 1 -- Assignment #12 (Page 2) Name ________________________ 3. Provide a Roman Numeral Analysis of the Chorale excerpt below. Circle and label all embellishing tones: P=Passing, N=Neighbor, CS=Chordal Skip, S=Suspension. Bach: "Was Gott thut, das ist wohlgethan" #c & œœ B# cœœ œ œ B# cœœ œ œ œ œ ?# c œ œ œœœœ œ œ œœ œ œ œ œœ œ œ œ œ œœœ œ œ ˙ œ œ œ œ œ œ œœœ œ œ œ œ œ œœ œ œ œœœœ œœœ œ œœ œ œ œ œ œœ œ œ œ œœ ˙ ...
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This note was uploaded on 04/09/2011 for the course MUSIC STUD 1711 taught by Professor Johnson during the Fall '09 term at Temple.

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HW12 - Theory 1 -- Assignment #12 (Page 1) Name...

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