# HW13 - & B c c c Ó ˙ Theory 1 Assignment#13(Page 2 3...

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? c c ˙ b ˙ ˙ ˙ f: ii ˙ E: IV 6 ˙ a: V 6 ˙ d: VI ˙ b f: iv 6 4 ˙ B. vi ˙ e: III ˙ # F#: I 6 4 ? ˙ d: i 6 4 ˙ Eb: ii ˙ f#: VI 6 ˙ g: iv 6 ˙ Ab: vi ˙ # C#: vii o ˙ # b: III 6 ˙ b bb: i 6 4 ? ˙ 2. Given the Key, Roman Numeral, and Soprano, write the indicated chord in Keyboard style. Use accidentals instead of key signatures. Watch doubling and spacing. A: ii 6 ˙ d: III ˙ e: iv 6 4 ˙ f: VI ˙ Eb: V 6 ˙ g: vii 6 o ˙ b Ab: V ˙ C: ii 6 Name ________________________ Theory 1 -- Assignment #13 (Page 1) 1. Given the Key, Roman Numeral, and Soprano, write the indicated chord in 4-part chorale style. Use accidentals instead of key signatures. Watch doubling and spacing.

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Unformatted text preview: & B ? c c c Ó ˙ Theory 1 -- Assignment #13 (Page 2) 3. Mixed Species -- Above and Below the given line, write counterpoint using a mix of suspensions, passing tones, neighbor tones, and chordal skips. The 3 lines will not be played all together. Consider the top and middle lines to be one contrapuntal piece, and the bottom and middle lines to be another contrapuntal piece. Identify the intervals between the voices. w ˙ ˙ w w w w w w w Name ________________________ w w w w...
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HW13 - & B c c c Ó ˙ Theory 1 Assignment#13(Page 2 3...

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