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HW17 - In addition,label each cadence(HC PAC or IAC Are the...

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& ? b b b b c c # # ˙ ˙ ˙ ˙ I IV V I ˙ ˙ ˙ ˙ i ii V i o 6 & ? b b # # # # # # ˙ ˙ ˙ ˙ I ii V I ˙ ˙ ˙ ˙ i iv V7 i & ? b b b b b b b b # # # # ˙ ˙ ˙ ˙ I ii V7 I 6 ˙ ˙ ˙ ˙ i ii V7 i o 6 & ? # # # # # # # # b b b b ˙ ˙ ˙ ˙ I ii V7 I ˙ ˙ ˙ ˙ i iv V7 i Name ________________________ Theory 1 -- Assignment #17 (Page 1) 1. Complete the progressions below using half notes. Remember that when the bass moves by step, the upper upper voices will move in contrary motion to the bass. Also be sure to prepare and resolve 7ths.
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& ? # # 8 6 8 6 J oe Assignment #17 (Page 2) NAME: ________________ 2. Analysis -- Write a Roman Numeral Analysis of the piece below.
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Unformatted text preview: In addition,label each cadence (HC, PAC, or IAC). Are the phrases parallel or contrasting? Beethoven: Six Variations on "Nel cor piu non mi sento" ! œ J œ œ j œ œ œ œ œ œ œ œ j œ Œ J œ œ œ œ œ œ œ œ j œ œ J œ œ œ œ œ œ œ . œ Œ j œ œ œ œ œ œ œ & ? # # œ J œ j œ œ œ œ œ œ œ œ œ œ (V7) Tonic Pedal . œ œ J œ œ œ œ œ œ œ j œ œ j œ j œ œ œ œ œ œ œ œ œ œ œ ‰ Œ œ œ œ œ...
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