{[ promptMessage ]}

Bookmark it

{[ promptMessage ]}

Movement In Film - Movement In Film Click to edit Master...

Info iconThis preview shows pages 1–7. Sign up to view the full content.

View Full Document Right Arrow Icon
Click to edit Master subtitle style  5/16/11 Movement In Film
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
 5/16/11 Conventions in Movement Movement is a form of expression, and that expression is known as  lyricism. The way the characters moves gives off an emotion or feeling that  they want the audience to experience. Like in Mamma Mia, the movements  are over-emphasized to show emotion.  
Background image of page 2
 5/16/11 Conventions in movement Lateral movements are movements  across the screen. Lateral  movements generally convey a  sense of speed, since it takes only  a short amount of time to move  across the screen. Left to right  movements make the viewer feel  more comfortable, however right to  left movements make the viewer  feel uneasy. For example, in the  movie Salt, the main character runs  left to right in most scenes, and this  shows that she is a do-gooder.
Background image of page 3

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
 5/16/11 Conventions in movement  Front to back/back to  front movement, unlike  lateral movement,  depicts a slow passing  time. Front to back  movement often shows  weakness, while back to  front movement conveys  threat or strength. For  example, in this picture  of The Polar Express, 
Background image of page 4
 5/16/11 Conventions in movement  A Tight frame  is when  characters and  objects fill up  more screen  space. This  makes us feel  A loose frame  is when  characters and  objects take  up less space  on the screen.  This makes us  feel the  characters are  uninhibited,  and can do 
Background image of page 5

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
 5/16/11 Conventions in movement Anticipatory set ups are shots in movies in 
Background image of page 6
Image of page 7
This is the end of the preview. Sign up to access the rest of the document.

{[ snackBarMessage ]}