Lecture 2 Stanislavski’s approach

Lecture 2 Stanislavski’s approach - L...

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LECTURE 2 Youtube links for Dustin Hoffman talking about actor training (start at the beginning to 3:17) (“I studied with Strasberg” from beginning to 3:00) Everyone introduced themselves on stage as an actor would for an audition. Make notes about it because it will discussed in the breakout sections. STANISLAVSKI’S APPROACH TO ACTING Constantin Stanislavski’s approach 1888 at the age of 25 he established the Society of Art and literature in 1897 the Moscow Art Theatre provided him an opportunity to work as a professional. 1897 joined with Nemirovich- Danchenko to “reconstruct theatre’s whole life…to change, at the root the whole order of rehearsals and the preparation of plays.” Stanislavski began his career as a professional director and actor. The artistic work of their company-the Moscow Art Theatre brought the ideas of realism -experiencing life on stage-to Russia and new standards of acting to the world. 1912 established the First Studio to develop his System 1923-24 Moscow Art Theatre toured USA STANISLAVSKI The System is based on his belief that mind and body represent a psychophysical continuum. He said” In every physical action there is something psychological and in the psychological something physical.” Hi system values an actor’s capacity to treat fictional circumstances as if real, to visualize the details of a character’s world specifically and to daydream or fantasize about the events of the play. Main ideas --performance demands a supreme state of dynamic physical relaxation. He looked to yoga and other Eastern practices to develop exercises for achieving that active state of relaxation and focus.
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This note was uploaded on 06/02/2011 for the course THEA 170 taught by Professor Hill during the Spring '09 term at South Carolina.

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Lecture 2 Stanislavski’s approach - L...

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