DRAM quiz 6 - 1....

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1.  Stanislavski's relaxation technique most closely pertains to: A) the actor's body B) the actor's mind C) both A and B D) neither A nor B Points Earned:  1.0/1.0  Correct Answer(s): C 2.  Stanislavski's concentration technique that most closely pertains to: A) the actor's body B) the actor's mind C) both A and B D) neither A nor B Points Earned:  1.0/1.0  Correct Answer(s): B 3.  Stanislavski's "the magic if" most closely pertains to: A) the actor's body B) the actor's mind C) both A and B D) neither A nor B Points Earned:  1.0/1.0  Correct Answer(s): B 4.  Stanislavski's psychophysical action technique most closely pertains to:
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A) the actor's body B) the actor's mind C) both A and B D) neither A nor B Points Earned:  1.0/1.0  Correct Answer(s): C 5.  Stanislavski's superobjective technique most closely pertains to: A) the actor's body B) the actor's mind C) both A and B
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This note was uploaded on 06/21/2011 for the course DRAM 101 taught by Professor John during the Spring '11 term at Cy-Fair College.

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DRAM quiz 6 - 1....

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