111110 - Rashomon (1950) Akira Kurosawa-Ikiru first time an...

Info iconThis preview shows pages 1–3. Sign up to view the full content.

View Full Document Right Arrow Icon
Rashomon (1950) Akira Kurosawa-- Ikiru first time an Asian film was recognized so in the West had such an impact Rashomon -effect”: subjectivity of perception symbolic film story of a rape and a murder from 4 points of view exoticism all characters cowardly, untruthful, and vicious music: Ravel’s Bolero Toshino Mifune: bandit 1964 remade as a Western: The Outrage directed by Martin Ritt condemned the tradition heroes: nobleman, aristocrat, samurai, grand lady Japanese cinema cinema: “walking shadows” oldest cinematic traditions of the far east before 1940, not much was known about oriental cinema gendai-geki: modern subjects Tokyo jidaigeki: traditional topics
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full DocumentRight Arrow Icon
Kyoto Kenji Mizoguchi wants cinema to move away from film theatre directed Sisters of the Gion movies about situation of women in Japan: feminist issues Yasujiro Ozu oyama: tradition of kabuki is to have women played by men
Background image of page 2
Image of page 3
This is the end of the preview. Sign up to access the rest of the document.

This note was uploaded on 06/28/2011 for the course FLL 303 taught by Professor Dr.sergebokobza during the Fall '10 term at University of Alabama at Birmingham.

Page1 / 3

111110 - Rashomon (1950) Akira Kurosawa-Ikiru first time an...

This preview shows document pages 1 - 3. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online