FormationsofModernPostwarAbstractExpressionismPostPainterly

FormationsofModernPostwarAbstractExpressionismPostPainterly...

Info iconThis preview shows pages 1–15. Sign up to view the full content.

View Full Document Right Arrow Icon
Abstract Expressionism and Post-Painterly Abstraction History of Modern Art 1
Background image of page 1

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
2 Map of the World in 1945 2
Background image of page 2
3 Map of the World in 2000 3
Background image of page 3

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
7 Alberto Giacometti, Man Pointing , (no. 5 of 6), 1947 Bronze, 5’ 10” x 3’ 1” x 1’ 5 5/8” Des Moines Art Center, Des Moines 4
Background image of page 4
8 Francis Bacon, Painting , 1946 Oil and pastel on linen, 6’ 5 7/8” x 4’ 4” Museum of Modern Art, New York 5
Background image of page 5

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
9 Jean Dubuffet, Vie Inquiète ( Uneasy Life ), 1953 Oil on canvas, 4’ 3” x 6’ 4” Tate Gallery, London 6
Background image of page 6
11 Jackson Pollock, Number 1, 1950 ( Lavender Mist ), 1950 Oil, enamel, and aluminum paint on canvas, 7’ 3” x 9’ 10” National Gallery of Art, Washington, D.C. 7
Background image of page 7

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
12 Hans Namuth, Jackson Pollock painting in his studio in Springs, Long Island New York, 1950 Center for Creative Photography, University of Arizona, Tucson 8
Background image of page 8
13 Willem de Kooning, Woman I , 1950–1952 Oil on canvas, 6’ 3 7/8” x 4’ 10” Museum of Modern Art, New York
Background image of page 9

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
Background image of page 10
Background image of page 11

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
Background image of page 12
Background image of page 13

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
Background image of page 14
Background image of page 15
This is the end of the preview. Sign up to access the rest of the document.

Unformatted text preview: 9 14 Barnett Newman, Vir Heroicus Sublimis , 1950–1951 Oil on canvas, 7’ 11 3/8” x 17’ 9 1/4” Museum of Modern Art, New York 10 15 Mark Rothko, No. 14 , 1961 Oil on canvas, 9’ 6” x 8’ 9” San Francisco Museum of Modern Art 11 18 Ellsworth Kelly, Red Blue Green , 1963 Oil on canvas, 6’ 11 5/8” x 11’ 3 7/8” Museum of Contemporary Art, San Diego 12 19 Frank Stella, Mas o Menos ( More or Less ), 1964 Metallic powder in acrylic emulsion on canvas, 9’10” x 13’8 1/2” Musée National d’Art Moderne, Centre Georges Pompidou, Paris 13 Helen Frankenthaler, The Bay , 1963 Acrylic on canvas, 6’ 8 7/8” x 6’ 9 7/8” Detroit Institute of Arts, Detroit 20 14 21 Morris Louis, Saraband , 1959 Acrylic resin on canvas, 8’ 5 1/8” x 12’ 5” Solomon R. Guggenheim Museum, New York 15...
View Full Document

{[ snackBarMessage ]}

Page1 / 15

FormationsofModernPostwarAbstractExpressionismPostPainterly...

This preview shows document pages 1 - 15. Sign up to view the full document.

View Full Document Right Arrow Icon
Ask a homework question - tutors are online