This preview shows pages 1–2. Sign up to view the full content.
This preview has intentionally blurred sections. Sign up to view the full version.View Full Document
Unformatted text preview: Julianna Ritter Major Filmmakers Study Sheet: Godard / Resnais New Wave: (younger generation with free-reeling quality with fresh sense of cinematic value) 1. Avante Garde Renewal of aesthetic language: elements of visual composition, how to tell a story 2. Sociologist sense of a documentary: social study of language: language becomes connection between image and meaning 3. Essayist construction of argument and analysis 4. Story tellers taste for narrative: innovative search for new form and re-infusion of form to challenge modes of expression: obligation to preserve language Auteur Theory: 1. Director is author of the film 2. Work of art 3. Elevation from popular entertainment to art Godard: becomes increasingly political as he views film as a political tool words have meaning in context, juxtapositions, jump-cuts (challenge call of attention to make connections to societies about large), montage (editing / arranging), politics of language, cinema of ideas what is an image? reality of reflection, demystifying allusions / arranging), politics of language, cinema of ideas what is an image?...
View Full Document
- Spring '11