Review+final+2010+Quideau

Review+final+2010+Quideau - 1811 Ingres Bather of...

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Romantics: abolition of norms, artistic freedom Kosegarten: poet/pastor: God is above nature but the Divine is revealed in nature Ruckenfigur: observer is seen from behind, central position Repoussoir: helps viewer look into depth Zeitgeist: To live in the present
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Friedrich, Cross in the Mountains (or Tetschen Altar ) 1807-08
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Friedrich, Monk by the Sea 1809
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Friedrich.Young Woman at the Window 1822,
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Friedrich, Wanderer above the Sea of Fog 1818
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Line of Beauty: S shaped line= serpentine line Closed form (everything is enclosed in contour) vs. open form (explodes over edges of drawing) Odalisque: idle creature of Oriental Harem, done for Western male consumption Physiognomy: Classification of human types according to facial & body expressions.
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Ingres, Napoleon on his Imperial Throne, 1806
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Ingres. Oedipus and the Sphinx, 1808
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Ingres Jupiter and Thetis
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Unformatted text preview: 1811 Ingres Bather of Valpincon, 1808, oil on canvas Ingres . La Grande Odalisque 1814, oil on canvas Ingres, Vow of Louis XIII, Salon of 1824 Ingres, Apotheosis of Homer, 1827 Ingres. The Martyrdom of St. Symphorien , 1834 Ingres, M. B ertin 1832 Ingres. Contesse dHaussonville, 1842 Restoration: return of the Bourbon Monarchy (1814-1830) Romanticism: coincides with French Industrial Revolution; characterized by intense subjectivism Synecdoche: part for the whole Art for art sake: subject no longer necessary Monomania: a particular malady: only one obsession Gricault, The Charging Light Cavalryman, 1812 Gricault, The Heavy Wounded Cavalryman 1814 Gricault. Barberi Race, 1817 Gricault, The Raft of the Medusa , 1819 Gricault. Woman Suffering from Envy 1822-24...
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Review+final+2010+Quideau - 1811 Ingres Bather of...

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