editing - C utting Thematic M onta ge A bstract C utting...

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Editing
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Transitions Cut ! in, Cutaway Dissolve Wipe/Push Iris Jump Cut Shot/Reverse Shot Superimposition Parallel Editing
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Matches Eyeline Match Graphic Match Matching Action
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Duration in Editing Long Take Overlapping Editing Rhythm
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The 5 Basic Styles of Editing Continuity Editing The 180˚ Rule Thematic Montage Sequence Shots Classical Cutting Abstract Cutting
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Realism Classicism Formalism Sequenc e Shots C utting t o Cont. Cla ssical
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Unformatted text preview: C utting Thematic M onta ge A bstract C utting Rhythmus 21 Thir ty T w o Shor t F ilms A bout G lenn Gould The Bir th of a N ation A T rip t o the M oon The Arrival of a T rain The Art of Editing The History of Film Editing Georges Melies Edwin Porter D.W. Gri # th Kuleshov $ s Experiment Eisenstein and Montage Theory of Dialectical Montage Battleship Potemki !...
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editing - C utting Thematic M onta ge A bstract C utting...

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