Hip-Hop+Vocabulary+5 - cultural production agency (black...

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AAS 181. Hip-Hop in Urban America VOCABULARY OF TERMS Dyson social commentary  rap censorship asserting machismo personal agency asserting machismo by devalued black males Samuels ghettocentrism authenticity appropriation  voyeurism complicity Osumare   Africanist aesthetic dialogic negotiation lieu de mémoire  (site of memory) Nommo emcee as trickster
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renaming as empowerment Rose      (    Soul Sonic Forces Powerpoint)     destructive/recuperative in sampling black cultural priorities vs. technology processes Osumare dance as embodied text the intercultural body Watkins the production of blackness historically situated racial signifier
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Unformatted text preview: cultural production agency (black youth agency) containment and resistance ideological hegemony modern vs. postmodern overlapping of race & class Osumare regimes of containment (p. 160) economic power moves complicity and resistance (p. 168) hip-hop postmodernism (p. 171) Baldwin national character & popular culture authentic blackness (p. 160) hip-hop bourgeoisie aesthetic (p. 161) nigga as performative identity (p. 166) ghettocentric vs. Afrocentric (p. 166) reformation of the patriarchal order (p. 166) Watts spectacular consumption discourse (discursive frame) sign and signified (p. 594)...
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This note was uploaded on 08/23/2011 for the course AAS 181 taught by Professor Osumare during the Spring '09 term at UC Davis.

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Hip-Hop+Vocabulary+5 - cultural production agency (black...

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