Printmaking

Printmaking - Thieves, 1653 Artwork: James McNiell...

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Art 100 Instructor: Grambo Printmaking October 21, 2010 PRINTMAKING I. Matrix and Support A. Matrix: the surface on which an image or print is created and transferred from B. Support: the surface onto which an image is placed II. Relief Printing A. Woodcut Artwork: Albrecht Dürer, The Four Horsemen of the Apocalypse , 1498 Artwork: Emile Nolde, The Prophet, 1912 Artwork: Ando Hiroshige, Rain Shower on Ohashi Bridge, 1857 B. Wood Engraving Artwork: Paul Landacre, Growing Corn , 1940 C. Linocut/Reduction Linocut Artwork: Elizabeth Catlett, Sharecropper , 1968 Artwork: Natalia Moroz, Prophesy , 2004 III. Intaglio A. Engraving Artwork: Antonio Pollaiuolo, Battle of Ten Naked Men, 1465-70 Artwork: Albrecht Dürer, The Knight, Death and The Devil, 1513 B. Drypoint Artwork: Rembrandt Van Rinj, Christ Crucified Between the Two
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Unformatted text preview: Thieves, 1653 Artwork: James McNiell Whistler, Rotherhithe C. Etching Artwork: Johann Wilhelm Schirmer, Aus Dem Park Chigi , 19th Century D. Aquatint Artwork: Fransisco Goya, Estan Calientes Artwork: Willie Rawson, Storm Clouds , 1913 E. Mezzotint Artwork: John Martin, Fall of Babylon Artwork: Chuck Close, Test Proof for Keith Mezzotint, 1972 IV. Lithography Artwork: Henri de Toulouse-Lautrec, Moulin Rouge: La Goulue, 1891 Artwork: Kthe Kollwitz, Death Seizing a Woman , 1934 Artwork: Kthe Kollwitz, The Mothers , 1919 V. Seriography (AKA: Screenprinting) Artwork: Andy Warhol, Six Portraits , 1967 VI. Monotype Artwork: Edgar Degas , The Ballet Master, 1874 Artwork: Jana Buoc, Monoprint Experiment, 2006...
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This note was uploaded on 09/05/2011 for the course ART 100 taught by Professor Grambo during the Fall '10 term at Boise State.

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Printmaking - Thieves, 1653 Artwork: James McNiell...

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