Unformatted text preview: Links Guys desires to Bruno’s agency and determination through the edit Guy feels guilty by illicit desire, connected to Bruno until Bruno dies • Body movement provides figures of continuity (cutting, doorway) o Editing so fragmentation there is no disjunction / finding bridges • Insert shot: inserted into the dramatic action that gives us a personal view of something o Often they are close-ups o i.e. went in straight without changing the angle to Bruno’s name tag o wide-shot -> close-up -> wide-shot • Hitchcock solves script problems through direction o Transfer of knowledge: confessor to ‘confesee’ o Process of binding these two together o Point of view shots unites them under external threats to their conversation • Cross-Cutting: leisurely pace and builds until we cut from one shot to the next to drive suspense...
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- Fall '11
- Bruno, Film editing, FILM STUDYGUIDE MIDTERM, larger formal design, Bruno’s hands, Bruno’s agency