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Unformatted text preview: rather characters drown from their problems. o Distorted and subjective truth o Dreamlike, nightmarish o Types, abstractions o Compressed, fragmented, telegraphic o Emotional states • Stringberg’s strength is that he can combine these polar opposite techniques • Strindberg, Preface to Miss Julie (1888), Freud, The Interpretation of Dreams (1900), Miss Julie (film) (1951) • Miss Julie is quick, plots are shattered because everything is sped up, moves forward in the way that a dream does...
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This document was uploaded on 10/26/2011 for the course DRAM 115 at UNC.
- Spring '08
- Miss Julie