HARLEM RENAISSANCE - African-Americans to northern cities...

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HARLEM RENAISSANCE KEY DATES: 1920-1930s From 1920 until about 1930 an unprecedented outburst of creative activity among African-Americans  occurred in all fields of art. Beginning as a series of literary discussions in the lower Manhattan  (Greenwich Village) and upper Manhattan (Harlem) sections of New York City, this African-American  cultural movement became known as "The New Negro Movement" and later as the Harlem  Renaissance. More than a literary movement and more than a social revolt against racism, the  Harlem Renaissance exalted the unique culture of African-Americans and redefined African- American expression. African-Americans were encouraged to celebrate their heritage and to become  "The New Negro," a term coined in 1925 by sociologist and critic Alain LeRoy Locke. One of the factors contributing to the rise of the Harlem Renaissance was the great migration of 
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Unformatted text preview: African-Americans to northern cities (such as New York City, Chicago, and Washington, D.C.) between 1919 and 1926. In his influential book The New Negro (1925), Locke described the northward migration of blacks as "something like a spiritual emancipation." Black urban migration, combined with trends in American society as a whole toward experimentation during the 1920s, and the rise of radical black intellectuals — including Locke, Marcus Garvey, founder of the Universal Negro Improvement Association (UNIA), and W. E. B. Du Bois, editor of The Crisis magazine — all contributed to the particular styles and unprecedented success of black artists during the Harlem Renaissance period...
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This note was uploaded on 11/05/2011 for the course ARH ARH2000 taught by Professor Karenroberts during the Fall '10 term at Broward College.

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