In 1912 - A Duck's Nest of Bad Words(Utinoe gnezdyshko...

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In 1912, Rozanova started a close friendship with the outstanding Russian Futurist poets Velimir Khlebnikov and Alexei Kruchenykh. They were writing "transrational" ( zaumnaia ) poetry to create a new universal poetic language based on the destruction of traditional grammar and the meanings of the words, the use of the neologisms, assonances, and illogical combinations of words and sounds. Rozanova became one of the first artists of the Russian avant-garde associated with the Futurist movement. In 1913, she started to design and illustrate books by her Futurist friends. This led to the creation of her own transrational poems, published in 1917 (in Kruchenykh's collection, Valos ) and in 1919, posthumously, in the 4th issue of the journal Iskusstvo . Among many booklets Rozanova illustrated were A Forestly Rapid (Bukh lesinnyi) , Explodity (Vzorval') , Let's Grumble (Vozropshchem)
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Unformatted text preview: , A Duck's Nest of Bad Words (Utinoe gnezdyshko durnykh slov) (all in 1913), Te li le (1914), Transrational Pook (Zaumnaia gniga) , War (Voina) , and Universal War (Vselenskaia voina) (all in 1916). Te li le "represents Rozanova's attempt to interlace verbal and pictorial elements. By using her own handwriting for the text, Rozanova not only fused the words with the design, but she also presented the text in a manner intended to convey mood and emotion" (The Avant-garde in Russia, 242). The Universal War is illustrated with twelve abstract collages. The collages consist of brightly colored polygonal shapes, arranged in geometric patterns. The irregular jagged shapes recall those in Rozanova's earlier abstract compositions. The search for new connections between the word and the pictorial image became one of the most important impulses of her development....
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This note was uploaded on 11/05/2011 for the course ARH ARH2000 taught by Professor Karenroberts during the Fall '10 term at Broward College.

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