Unformatted text preview: 1911, the artist traveled to St. Petersburg, Rostov, Yaroslavl, Suzdal, Pereslavl, and Kiev and discovered the work of Vrubel and icon painting. In 1912, she set up a studio in Moscow with N. Udal'tsova, her friend from Arsen'eva's school, and both women worked in Tatlin's studio The Tower , where Popova met her life-long friend Vesnin. The same year she traveled to Paris and studied Cubism with Le Fauconnier and Metzinger. After returning to Moscow in 1913, she became interested in Futurism . A year later, just before the war, she went to France and Italy again. In 1915, she developed her own variant of non-objective art based on a dynamic combination of principles of icon painting (flatness, linearity) and avant-garde ideas....
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- Fall '10
- Kazimir Malevich, Russian avant-garde, Sergeevna Popova