Painterly Architectonics

Painterly Architectonics - were supposed to be preparatory...

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Painterly Architectonics show Popova's interest in the presentation of surface planes with an energy of inner tension, as the colored masses, lines and volumes all interrelate to create a formal unity. Initially they took the form of fairly static compositions comprising overlapping planar forms, but very soon they acquired a startling dynamism as Popova tilted the planes at angles and made them slice into each other. Painterly Constructions further developed the idea of intersecting planes, but gave the compositions a feeling of greater freedom and fluidity. Finally, her Spatial Force Constructions
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Unformatted text preview: were supposed to be preparatory experiments towards concrete material constructions (After Yablonskaia, 103-104). The artist's fascination with construction allowed her to join other constructivists in absolute rejection of easel painting. She gave up her own painting and turned entirely to industrial design (1921). A year before her untimely death, Popova was appointed head of the Design Studio at the First State Textile Print Factory in Moscow. She excelled in industrial design of clothing and fabrics and produced posters, book designs, ceramics, and photomontages....
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This note was uploaded on 11/05/2011 for the course ARH ARH2000 taught by Professor Karenroberts during the Fall '10 term at Broward College.

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