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Unformatted text preview: Moderno. P-H p. 202 Tondi and roundels are symbols of the loosening of the connection between artworks and their locations. As more works of art became portable objects made for the art market, the ultimate example of that was the plaquette. They were small, single-sided bronze reliefs. They were made in Rome, Florence, and Padua from around 1450 to 1550. Many were rectangular or oblong, but most were round, usually under 6 in. in diameter. Some themes were religious, but many were drawn from mythology, as this figure of Mars by Moderno, the most prominent and prolific sculptor of plaquettes. Slide 13-46: Allegory of Virtue. Riccio. PH p. 213 Riccio (1470?-1532) was also active in making plaquettes, like this Allegory of Virtue. With many plaquettes the aim was to portray principles of conduct; courage, rectitude, constancy decency, restraint, and virtue....
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This note was uploaded on 11/05/2011 for the course ARH ARH2000 taught by Professor Karenroberts during the Fall '10 term at Broward College.
- Fall '10