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Unformatted text preview: October to demonstrate his changing concerns in the late 1920s. 2. Identify two central areas of debate between Eisenstein and Vertov. Provide examples from their arguments and films as evidence. With whom do you agree and why? 3. Write a detailed analysis of the prologue and the first reel of Vertov’s Man with a Movie Camera . Discuss how the opening sections relate to Vertov’s overall approach to cinema. Be sure to pay close attention to the formal choices Vertov makes. ***These films are all widely available online...
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This note was uploaded on 11/10/2011 for the course CMCL-C 401 taught by Professor Simons during the Fall '10 term at Indiana.
- Fall '10