Additionally, once Dido and Amata are infected by overwhelming desire — Dido in her lust for Aeneas, and Amata to see her daughter marry Turnus — both vent their frustration similarly. Virgil says of the Carthaginian queen: "Unlucky Dido, burning, in her madness / Roamed through all the city." Of Amata, he writes: ". . . the poor queen, now enflamed / By prodigies of hell, went wild indeed / And with insane abandon roamed the city." Not only is the image of fire linked to both women, but each roams her respective city in a state of psychological madness. The spirit of the Iliad , which appears in many places throughout the second half of the Aeneid , is most evident in Book VII, in the list of the warriors summoned by Turnus to fight against the Trojans. Roman readers would have likened Virgil's cataloging to that of Greek and Trojan warriors in Book II of Homer's epic. In the
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