Jeffers' identification with nature in a narrative, "Hurt Hawks" (1928), creates a palpable tragedy as a wing-damaged bird hobbles about, dragging one wing while contemplating slow starvation. As though honoring a fallen titan, the poet-speaker anticipates death as a form of divine blessing. With a stern Old Testament misanthropy, the poet comments that, in contrast with the humble bird, humanity has grown too arrogant for such grace. Distanced from God by choice, human sufferers deserve a graceless fate. In the second half, the poet looks candidly at the choice between euthanizing a bird or a man. After six weeks of feeding the crippled hawk, he chooses to honor its unspoken request for release. With a "lead gift in the twilight," he frees the redtail. Its once-noble frame crumples into "Owl-downy, soft feminine feathers" as the spirit flies upward, "quite unsheathed from reality." From a later period, "Carmel Point" (1951) speaks the poet's annoyance in urban sprawl as "the
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