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Unformatted text preview: characters drown from their problems. o Distorted and subjective truth o Dreamlike, nightmarish o Types, abstractions o Compressed, fragmented, telegraphic o Emotional states • Stringberg’s strength is that he can combine these polar opposite techniques • Strindberg, Preface to Miss Julie (1888), Freud, The Interpretation of Dreams (1900), Miss Julie (film) (1951) Miss Julie is quick, plots are shattered because everything is sped up, moves forward in the way that a dream does...
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This note was uploaded on 11/27/2011 for the course DRAMA 115 taught by Professor Staff during the Fall '08 term at UNC.
- Fall '08
- Miss Julie