In contrast Svidrigailov is the detached cold manifestation of the self-will and power and intellect. Consequently, so often in the novel, when Raskolnikov is attracted to Sonya, he is repulsed by the depravity of Svidrigailov. Likewise, when he is talking or going to see Svidrigailov, he is disgusted with and repulsed by Sonya's tears and weaknesses.With Raskolnikov's character established as a dual one, and with these two characters, Sonya and Svidrigailov, representing the two alternating aspects, the general pattern of the novel is to bring Raskolnikov back into one functioning character. Thus, we must have two redemptive characters. Here the importance of Sonya's role is seen. As she represents one aspect of Raskolnikov's personality, so must she function as the person who is to redeem that aspect. Therefore, Sonya is the redemptive figure for Raskolnikov's humane aspect of his personality. Through her suffering, she
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