Miller bases the play on the historical account of the Salem witch trials. In particular he focuses on the discovery of several young girls and a slave playing in the woods, conjuring — or attempting to conjure — spirits from the dead. Rather than suffer severe and inevitable punishment for their actions, the girls accused other inhabitants of Salem of practicing witchcraft. Ironically, the girls avoided punishment by accusing others of the very things of which they were guilty. This desperate and perhaps childish finger-pointing resulted in mass paranoia and an atmosphere of fear in which everyone was a potential witch. As the number of arrests increased, so did the distrust within the Salem community. A self-perpetuating cycle of distrust, accusation, arrest, and conviction emerged. By the end of 1692, the Salem court had convicted and executed nineteen men and women. Miller creates an atmosphere and mood within the play reminiscent of the historical period and of
This is the end of the preview. Sign up
access the rest of the document.