Unlike the hero of Miss Lonelyhearts, whose need for sex combined with violence seems rooted in childhood repressions, Tod presents less material for psychological analysis. His desire to possess and destroy Faye and his own self-destructiveness function largely as symbols for ideas. He wants to destroy the falsity and imperviousness which she represents, but psychologically his self-destructiveness appears to be an inner revolt against a repulsive attraction, a revolt which he never quite understands. Homer, who serves as an alter ego for Tod, is psychologically more understandable. His aggressions are expressions of anger against his entrapments, past and present, and although his final outburst is convincing, West's using it as a symbol of the destructive
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Tod Hackett, chance. Tod Hackett, blindly selfish characters, false Hollywood dream, moral center add