CTPR 242 Fall '11 - Week 1

CTPR 242 Fall '11 - Week 1 - III. Sound Editing III. Sound...

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Intro to Cinematic Sound II. Production Sound III. Sound Editing IV. Re-recording Mixing V. Delivery and Exhibition I. Fundamentals
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Intro to Cinematic Sound V. Delivery and Exhibition I. Fundamentals
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I. Fundamentals Objective Sound Perceived Sound
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I. Fundamentals Analog Audio vs. Digital Audio
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I. Fundamentals High frequencies are lost as sound travels through the atmosphere.
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I. Fundamentals Chains were added for the close-ups.
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II. Production Sound
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II. Production Sound Mixer (Old School)
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II. Production Sound Mixer (Modern)
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II. Production Sound Boom Operator
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II. Production Sound Boom Operator
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II. Production Sound Fisher Boom
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II. Production Sound Fisher Boom
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Unformatted text preview: III. Sound Editing III. Sound Editing Reel-to-reel Magnetic Tape III. Sound Editing Reel-to-reel Magnetic Tape III. Sound Editing III. Sound Editing Pro Tools III. Sound Editing Sound Editing Station @ Warner Bros. III. Sound Editing Capturing Sound FX in the field Capturing Sound FX in the studio Foley Capturing Sound FX in the studio Foley Automatic Dialogue Replacement (ADR) Music Scoring IV. Re-recording Mixing IV. Re-recording Mixing Euphonix System 5 IV. Re-recording Mixing Pro Control V. Delivery and Exhibition V. Delivery and Exhibition Projection Booth at Cinema...
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CTPR 242 Fall '11 - Week 1 - III. Sound Editing III. Sound...

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