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Unformatted text preview: WORLD POPULAR MUSICS AND IDENTITY WELCOME! Ethnomusicological Approach Ex. Beyoncé “If I Were a Boy” “Single Ladies” World Music Awards 2008, Monte-Carlo Monaco, Study grounded in Ethnomusicology Study of “people making music” (Jeff Titon) Analysis of performance and its context Studying people’s “music-culture” (Titon) Who, What, Where, When and Why How do performances create change? What is the role of the community? Musical Performance Musical performance affords us a point of entry for understanding how people achieve what they want within their own environment, how they act our their assumptions about each other, and how they challenge authority (Dr. Carolina Robertson, University of Maryland) Performance Paper (Due Nov. 30) Pick out popular music concert (performance choice form (Oct. 12) Thesis statement, outline, bibliography (Nov. 2) Characteristics of Popular Music Commodification The act of turning something into a product Technological Mediation Commercialization Star System Youth Component...
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This note was uploaded on 01/02/2012 for the course MUET 220 taught by Professor Zelensky during the Spring '08 term at Maryland.
- Spring '08