Class 23 presentation 2011 - Aldwell/Schachter, 74-75...

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Unformatted text preview: Aldwell/Schachter, 74-75 Aldwell/Schachter, 76 Aldwell/Schachter, 77 Aldwell/Schachter, 78 74 m usic in the galant style Section Schema 1st Half Romanesca Prinner riposte Prinner, modulating }] 2nd Half Key C C C Fonte (modulation) Prinner, modulating Cadence, hemiola } G Dm C CF FC C The following musical example—one of the most prevalent melodic clichés in the galant style—can be heard in measures 7–8 of Somis’s minuet: e x . 5 .1 The High Drop High X 3X X &4 3 X #X X 7 A5 Drop XE ¥ ¥ Somis, Opus 6, no. 4, mvt. 3, Minuet (Paris, 1734) ex. 5.2 Prinner Romanesca u XXXXX u 1 7 XXX & X X¥ ? y X 3X X X &4 X 3E ?4 y XXX 6 X y x & major X X. XXX X ? XE 5 2 XX 5 wX X E w XXX ¥ E 1 Prinner Xx E 1 ¥{{ X X X bX z bX X XX x 2 w 5 1 fonte X XX w X X X X E ¥ 1 XX X X X XX y X X X X X X XX X 3 4 X XXX « E. X E. hemiola cadence 3 X¥ 4 minor X. X X X X X XX X X X X XX v X X X & X E X XX X X X ? 16 X 25 1 ¥{{XXX X 5 X XXX X z w X XXX 43 X X #X X 3 11 X v X XXX 3 6 Prinner X zy X X X 4 5 cadence 1 { { ...
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