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Driving beat Propulsive rhythms Early Baroque Color Becomes enormously varied Traditional instruments perfected
New combinations explored Orchestra begins to take shape Terraced dynamics Early Baroque Texture Predominantly homophonic Emphasizes top and bottom lines Basso continuo supports the melody Early Baroque Form Basso ostinato common Ritornello form emerges Binary form for sonata and orchestral suite...
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This note was uploaded on 01/10/2012 for the course MUS 1751 taught by Professor Harris during the Summer '08 term at LSU.
- Summer '08