notes for Tues 3-16

Notes for Tues 3-16 - -audience has direct relationship with the performance that’s going on-7 different types of theaters within the theater of

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Notes for Comm 160 (3-16-10) -Theatre of the oppressed developed by Agusto Boal- a Brazilian Director -thought of in the 1970s how teach oppression and experiences of it -based off of three tenets: 1)Articulation of social and individual oppression (gender, race, sexuality, class) that you personally identify with- salient to the individual 2)Uses body to articulate it- the body is the means of expression 3)Seeks to get rid of divide between actor and the audience (the spectators) -so thoughts of expression overturned by unity between actor and audience -turn audience into “spec-actor” Audience part of performance.- only through unity of everyone in the space can we overturn ideas of oppression- -in theater of the oppressed there is no fourth wall
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Unformatted text preview: -audience has direct relationship with the performance that’s going on-7 different types of theaters within the theater of oppressed- we focus on 3 1)Invisible theater: a semi-scripted performance performed in public bu the public doesn’t know it is a performance -example: when ppl in the quad listened to an MP3 song and took directions 2) Form theater: seeks to engage audience and make them the spec-actor-audience gets up and go and tell the actor what to do- seen in improve shows a lot 3) Image theater: Use body to articulate particular feeling or emotion-one person is the “clay” and strike pose and then the rest of the audience shapes the person until they think it fits what the emotion is....
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This note was uploaded on 01/20/2012 for the course COMM 160 taught by Professor Kashifpowell during the Spring '10 term at UNC.

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