Week 15 April 22 Part One

Week 15 April 22 Part One - Picasso in his studio with...

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Unformatted text preview: Picasso in his studio with African artifacts, 1906. Kara Walker, Cut , 1998, stencil on paper SCHEDULE FINAL EXAM : Wednesday, April 28, 8:00-9:30 AM Frick Fine Arts Auditorium (regular Lecture Hall) . (Take Home Essay Due in Hardcopy). Bring pens/pencils; your printed take-home essay; BE ON TIME! Scratch : Jeffrey Shaw, Legible City , 1989, interactive computer graphic installation Holland This work was not covered in lecture and will not appear on the final exam. Josiah McElheny, An End to Modernity , 2005, glass and metal, h 12 ft, d 16ft. US. Josiah McElheny, An End to Modernity , 2005, glass and metal, h 12 ft, d 16ft. US. Josiah McElheny, An End to Modernity , 2005, glass and metal, h 12 ft, d 16ft. US. J&L Lobmeyr, chandeliers for Metropolitan Opera, Lincoln Center, NYC, 1966. Gift from Austrian government. Restoration, 2008 ( New York Times ). J&L Lobmeyr, chandeliers for Metropolitan Opera, Lincoln Center, NYC, 1966. Gift from Austrian government. Kara Walker, Cut , 1998, stencil on paper Josephine Meckseper, The Complete History of Postcontemporary Art , 2005, mixed media. Germany. Kara Walker, Cut , 1998, stencil on paper Josephine Meckseper, The Complete History of Postcontemporary Art , 2005, mixed media. Germany. 1. Among the many transitions from modern to contemporary art that occurred during the 1950s, 1960s, 1970sdiscussed in the first part of the course--- which interested you most? With reference to at least TWO artists whose work best exemplifies the particular transformation that you choose, can you suggest which aspects of their work were modern and which contemporary? 2. Since the eighteenth and nineteenth centuries, the 2....
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This note was uploaded on 02/17/2012 for the course HAA 0090 taught by Professor Bailey during the Spring '08 term at Pittsburgh.

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Week 15 April 22 Part One - Picasso in his studio with...

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