205-6-1 - Lecture 6 Doo-Wop Girl Groups Doo Wop Gospel...

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Lecture 6 Doo-Wop Girl Groups Doo Wop Gospel based, urban, black, male, 1950s-early 60s Sound: tenor lead, deep bass, soaring falsetto Nonsense syllables (thus “doo-wop”) Intricate harmonic arrangements EX. The Chords, “Sh-Boom” (1954) Jazz flavor: scat singing, sax solo, backup vocal rhythms Doo-wop characterized by one-hit wonders EX. The Penguins, “Earth Angel” (1954) An early crossover hit Garage recording One of the most popular oldies today EX. Frankie Lymon and the Teenagers, “Why Do Fools Fall In Love?” (1956) Other big doo-wop hits include: The Platters, “Only You” (1955) The Five Satins, “In the Still of the Night” (1956) Doo-wop groups were often named after cars and, especially, birds A Cappella Doo wop was initially a form of a cappella singing, popular on campuses today Bobby McFerrin’s influence: new sounds, techniques
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Don Kirshner Professional songwriters now become a force (1960-1963) Kirshner was the mastermind publisher and producer behind this new phase
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This note was uploaded on 02/26/2012 for the course MUSC 205 taught by Professor King during the Spring '08 term at Maryland.

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205-6-1 - Lecture 6 Doo-Wop Girl Groups Doo Wop Gospel...

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