{[ promptMessage ]}

Bookmark it

{[ promptMessage ]}

Music and Identity Lecture Notes 2

Music and Identity Lecture Notes 2 - Music and Identity...

Info iconThis preview shows pages 1–2. Sign up to view the full content.

View Full Document Right Arrow Icon

Info iconThis preview has intentionally blurred sections. Sign up to view the full version.

View Full Document Right Arrow Icon
This is the end of the preview. Sign up to access the rest of the document.

Unformatted text preview: Music and Identity Lecture Notes 2-17-10 17/02/2010 12:02:00 Self-Identity and Music Music making and music listening • Social and aesthetic process (Simon Frith) • Authenticity o The condition or quality of being genuine ← Individual Identity • The personality of an individual regarded as a persistent entity • Self-in process (Simon Frith) o “It is a process, not a thing, a becoming not a being” ← Collective Identity • The set of behavioral or personal characterisitics by which an individual is recognizable as a member of a group • Connections between people and cultures ← Genre= a type or style of music • Sungenres- a mode of expression that articulates a lifestyle (Dick Hebdige) o Grunge o Pearl Jam “Gruevance” Vote for Change, D.C. 2004 ← Components of Identity • Ethnicity, socio-economic status, gender, sexuality, race, religious or spiritual...
View Full Document

  • Spring '06
  • Sandstrom
  • Simon Frith, Identity Lecture Notes, Popular Music Syncretism, complex rhythmic groove, Jeli style singing

{[ snackBarMessage ]}

Page1 / 4

Music and Identity Lecture Notes 2 - Music and Identity...

This preview shows document pages 1 - 2. Sign up to view the full document.

View Full Document Right Arrow Icon bookmark
Ask a homework question - tutors are online