– BRUCE CONNOR, compliation film, uses intrumental soundtrack.
-rhythmetic film/precise use of editing.
- uses stuff from newsreels, documentaries, film leader “black title”
- antithesis of CHC, puts “the end” in the very beginning of the film.
expressive themes, encourages us to look for meanings, look how
white, a movie, end of part 4, the end.
Indians, wagons, chage, music matches chase, race cars, crash, accidents, The
Movie footage, black leader, blimp,
tite-rope, black, a movie by bruce
connor, water, women, torpedo EXPLOSIOn, erotic. (ejaculation is the
nuclear bomb. Music is instensifying.
Planes dropping missiles, huge explosions, tanks, ties in “morti” race car
crashing. (black) parachute (black) people dead (black) Burning blimp,
underwater (black) coral (black)
direct cinema, actual people in real situations not influential.
con’t of experimental
Meshes of the afternoon- 14 min 1946.
independent film makers pop during wwII.
Surreal dominates, she is influenctial on david linen.
Experimental dance films (Haiti)
Rejects CHS, but it is made in Hollywood.
influences by Melies.
Beginning is poetic
Sondtrack does not sync
Loose narrative, continuous action.