This preview shows page 1. Sign up to view the full content.
Unformatted text preview: challenged this aspect by trying to create an image of Tiananmen Square that creates an image that relates more with the individual as opposed to revolution. Braester divides the chapter into three sections. The first section talks about how films have transformed Tiananmen Square into a spectacle of revolution. The second discusses how Tiananmen’s role as an icon of revolution still remains the same in works that challenge sot ideals. The final section discusses films that address the implications of urban policy at Tiananmen. Braester relies on many documentaries including The Birth of China and the Big Parade in his analysis. Braester, Yomi. "Four: The First Precinct under Heaven: State Symbolism and Unplanned Urbanism at Tiananmen Square ." Painting the City Red: Chinese Cinema and the Urban Contract . Durham, NC: Duke University Press, 2010. 151-186. Print....
View Full Document
This note was uploaded on 04/04/2012 for the course WRIT 039 taught by Professor Stein during the Spring '08 term at UPenn.
- Spring '08