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Unformatted text preview: statement that, to us, seems counterintuitive. 3. Wagners account of the evolution of his style, in A Communication To My Friends, focuses in part on absolute-music melody as opposed to expressive melody. How does he see the opposition between the two? From the operatic examples you have learned, take a stab at explaining these two kinds of melody. 4. Offer a critique of Nietzsches critique of Wagner, and refer to at least one specific musical example in your answer....
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This note was uploaded on 04/04/2012 for the course MUSC 030 taught by Professor Carolynabbate during the Spring '12 term at UPenn.
- Spring '12