lecture14 - Modern Art: Lecture 14 (3/1/2012) Franois Rude...

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Modern Art: Lecture 14 (3/1/2012) François Rude Departure of the Volunteers of 1792, 1833 Public monument in relief o 3D with flat background, like picture plane o hybrid of 2D-3D Equivalent to history painting = narrative sculpture Series of bodies ordered – clear narrative o Cruciform arrangement Exploration of the language of body and language of monument Pregnant moment Auguste Rodin Monument to Balzac, 1897 Unaccepted as a monument of the writer Challenge public function of the structure and languages of body and monument Wrapping himself in massive robe – closure of human body Writer, figure of thought itself/ intellectuality Occluded language of body and gesture Mass and volume Material remains rough, not naturalistic – “impressionist” o Light/shadow Closed in on itself, move away from clear function of monument Head – “highest” part of body; ideal, noble Free-standing – circumnavigate, experience in duration
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This note was uploaded on 04/10/2012 for the course ART HIS 54 taught by Professor Baker during the Spring '08 term at UCLA.

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lecture14 - Modern Art: Lecture 14 (3/1/2012) Franois Rude...

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